MCWP Courses
- Course Schedule
- MCWP Summer
- MCWP 50
- MCWP 125/125R
The Craft of Research, Fifth Edition by Wayne Booth, Gregory Colomb, Joseph Williams, Joseph Bizup and William T. FitzGerald.
A Writer's Reference by Diana Hacker and Nancy Sommers
Please purchase the 10th edition of the Writer's Reference from the bookstore, as we have a version that is specific for UC San Diego's Writing Programs.
Youth-led movements are driving forces in American history, social progress, and consumer culture. Yet, their crucial contributions are frequently dismissed in mainstream outlets as fleeting or uninformed and are too often reduced to arbitrary generational divides. From student activism in the Civil Rights era to figures such as Emma Gonzaléz, Malala Yousafzai, and Greta Thunberg; art movements; music genres like punk rock and hip hop; streetwear fashion; hacktivists and social media influencers – young people continue to shape society in diverse and meaningful ways.
This course will interrogate the many influences of youth movements and what happens when subversive groups with counter-cultural messages challenge or disrupt the status quo. We will discuss the history and impact of student activism in American universities and when radical actions go mainstream such as Earth Day. We will also explore sub- and counter-cultural groups including drag queens, K-pop fans, young chonga women, and more. Research projects will address how crucial and undervalued student organizing and/or youth culture are in today’s social, political, and economic landscape.
Assigned readings draw upon interdisciplinary fields in the humanities and social sciences including communication and media studies, art history, ethnic studies, cultural criticism, sociology, and gender studies. In this course, students will select a movement or countercultural group; develop a research question; identify a scholarly debate or research conversation; propose a research project that will participate in the identified conversation; research and analyze scholarly sources in the form of an annotated bibliography and construct an original academic research-based argument.
SEC. ID |
SEC. |
DAYS |
TIME |
ROOM |
INSTRUCTOR |
755868 |
A00 |
TTh |
8:00-9:20 |
1106B |
Guillen, Melinda |
755870 |
B00 |
TTh |
9:30-10:50 |
1106B |
Guillen, Melinda |
The political sphere includes and regulates many things that have a direct effect on our livelihoods and communities: minimum wage, access to healthcare, immigration, infrastructure, the regulation of our bodies, whom we can marry, and so much more. Such issues have also come up in the arts, in everything from early 20th century mural painting to more recent examples like the art and iconography of Black Lives Matter and Pride as well as museum-focused protests like those that pressured tear gas manufacturer Warren Kanders to resign from his position at the Whitney Museum of American Art in 2019. This topic explores art in politics and politics in art, ranging from antiwar arts activism in the 1960s, the social politics of representing BIPOC histories and individuals, boycott and divestment, and various case studies of both artists and notorious controversies that highlight the tensions between artists/makers, artworks, audiences, local communities, as well as, of course, the museum as a mediating institution. Assigned readings draw on art history and museum studies, but the subject matter of the course will also touch on various social histories, critical race theory, and gender studies. How do the arts intersect with and/or represent political issues, movements, themes, and identities? What roles does politics play in the arts, and vice versa? Possible research topics include the connections between the arts and politics pertaining to social justice movements, activism, globalization, labor practices, protests, museums and more. Students will identify a scholarly debate, or research conversation, propose a project that will participate in that conversation, engage with and analyze sources from the research process in the form of an annotated bibliography, and construct an academic research argument.
SECTION ID |
SECTION |
DAYS |
TIME |
ROOM |
INSTRUCTOR |
755873 |
A00 |
MW |
11:00-12:20 |
R01 |
Elizabeth Miller |
755874 |
B00 |
MW |
12:30-1:50 |
R02 |
Elizabeth Miller |
795037 |
C00 |
MW |
2:00-3:20 |
R03 |
Elizabeth Miller |
Youth-led movements are driving forces in American history, social progress, and consumer culture. Yet, their crucial contributions are frequently dismissed in mainstream outlets as fleeting or uninformed and are too often reduced to arbitrary generational divides. From student activism in the Civil Rights era to figures such as Emma Gonzaléz, Malala Yousafzai, and Greta Thunberg; art movements; music genres like punk rock and hip hop; streetwear fashion; hacktivists and social media influencers – young people continue to shape society in diverse and meaningful ways.
This course will interrogate the many influences of youth movements and what happens when subversive groups with counter-cultural messages challenge or disrupt the status quo. We will discuss the history and impact of student activism in American universities and when radical actions go mainstream such as Earth Day. We will also explore sub- and counter-cultural groups including drag queens, K-pop fans, young chonga women, and more. Research projects will address how crucial and undervalued student organizing and/or youth culture are in today’s social, political, and economic landscape.
Assigned readings draw upon interdisciplinary fields in the humanities and social sciences including communication and media studies, art history, ethnic studies, cultural criticism, sociology, and gender studies. In this course, students will select a movement or countercultural group; develop a research question; identify a scholarly debate or research conversation; propose a research project that will participate in the identified conversation; research and analyze scholarly sources in the form of an annotated bibliography and construct an original academic research-based argument.
SEC. ID |
SEC. |
DAYS |
TIME |
ROOM (HSS) |
INSTRUCTOR |
538748 |
A00 |
TR |
8:00-9:20 |
1106B |
Guillen, Melinda |
538750 |
B00 |
TR |
9:30-10:50 |
1106B |
Guillen, Melinda |
538751 |
C00 |
TR |
11:00-12:20 |
1106B |
Guillen, Melinda |
This class is offered at the scheduled time on Zoom.
In this course topic, we will consider arguments from art history, media/visual studies, and communications and learn about several examples of artworks and controversies related to identity politics in the arts. Assigned readings will cover examples including Dana Schutz's portrait of Emmett Till in the 2017 Whitney Biennial; Maya Lin's Vietnam War Memorial in the National Mall; Suzanne Lacy's 3 Weeks in May; and the art of Mona Hatoum, Jean-Michel Basquiat, Félix González-Torres and Ana Mendieta, among others. And though assigned readings focus on fine art, student research topics may instead touch on humanities-related issues of representation and identity politics in other forms of cultural production like literature, music, culinary arts, television, film, fashion, and more.
SEC. ID |
SEC. |
DAYS |
TIME |
ROOM |
INSTRUCTOR |
538752 |
A00 |
MW |
11:00-12:20 |
Online |
Miller, Elizabeth |
538759 |
B00 |
MW |
12:30-1:50 |
Online |
Miller, Elizabeth |
538760 |
C00 |
MW |
2:00-3:20 |
Online |
Miller, Elizabeth |
Youth-led movements are driving forces in American history, social progress, and consumer culture. Yet, their crucial contributions are frequently dismissed in mainstream outlets as fleeting or uninformed and are too often reduced to arbitrary generational divides. From student activism in the Civil Rights era to figures such as Emma Gonzaléz, Malala Yousafzai, and Greta Thunberg; art movements; music genres like punk rock and hip hop; streetwear fashion; hacktivists and social media influencers – young people continue to shape society in diverse and meaningful ways.
This course will interrogate the many influences of youth movements and what happens when subversive groups with counter-cultural messages challenge or disrupt the status quo. We will discuss the history and impact of student activism in American universities and when radical actions go mainstream such as Earth Day. We will also explore sub- and counter-cultural groups including drag queens, K-pop fans, young chonga women, and more. Research projects will address how crucial and undervalued student organizing and/or youth culture are in today’s social, political, and economic landscape.
Assigned readings draw upon interdisciplinary fields in the humanities and social sciences including communication and media studies, art history, ethnic studies, cultural criticism, sociology, and gender studies. In this course, students will select a movement or countercultural group; develop a research question; identify a scholarly debate or research conversation; propose a research project that will participate in the identified conversation; research and analyze scholarly sources in the form of an annotated bibliography and construct an original academic research-based argument.
SEC. ID |
SEC. |
DAYS |
TIME |
ROOM |
INSTRUCTOR |
414674 |
B00 |
TR |
8:00-9:20 |
2305B |
Guillen, Melinda |
414678 |
C00 |
TR |
9:30-10:50 |
2305B |
Guillen, Melinda |
414682 |
D00 |
TR |
11:00-12:20 |
2305B |
Guillen, Melinda |
Every way you look at education in California, it is big: from a K-12 system that educates more than 6 million students a year to the 116 community colleges with more than 1.5 million students, from the California State University system, the largest public university system in the U.S., to the ten campuses of the University of California. Educating California is a huge project that has everything to do with equity, opportunity, diversity, community and innovation. Where is the state succeeding? Where is it falling short? How can a single state keep such a huge educational project moving forward? In this class, students will take some small part of this very large topic to research, ultimately proposing and writing their own argument-based research paper.
SECTION ID |
SECTION |
DAY/TIME |
ROOM |
INSTRUCTOR |
309261 |
A00 |
TTH 11:00-12:20 |
HSS 2346A |
Marion Wilson |
Youth-led movements are driving forces in American history, social progress, and consumer culture. Yet, their crucial contributions are frequently dismissed in mainstream outlets as fleeting or uninformed and are too often reduced to arbitrary generational divides. From student activism in the Civil Rights era to figures such as Emma Gonzaléz, Malala Yousafzai, and Greta Thunberg; art movements; music genres like punk rock and hip hop; streetwear fashion; hacktivists and social media influencers – young people continue to shape society in diverse and meaningful ways.
This course will interrogate the many influences of youth movements and what happens when subversive groups with counter-cultural messages challenge or disrupt the status quo. We will discuss the history and impact of student activism in American universities and when radical actions go mainstream such as Earth Day. We will also explore sub- and counter-cultural groups including drag queens, K-pop fans, young chonga women, and more. Research projects will address how crucial and undervalued student organizing and/or youth culture are in today’s social, political, and economic landscape.
Assigned readings draw upon interdisciplinary fields in the humanities and social sciences including communication and media studies, art history, ethnic studies, cultural criticism, sociology, and gender studies. In this course, students will select a movement or countercultural group; develop a research question; identify a scholarly debate or research conversation; propose a research project that will participate in the identified conversation; research and analyze scholarly sources in the form of an annotated bibliography and construct an original academic research-based argument.
SECTION ID |
SECTION |
DAY/TIME |
ROOM |
INSTRUCTOR |
104263 |
B00 |
TTh 8:00-9:30 |
HSS 2305B |
Melinda Guillen |
104264 |
C00 |
TTh 9:30-10:50 |
HSS 1106B |
Melinda Guillen |
Space and place, particularly in relation to third and fourth terms, nature and home, are frequently taken for granted, as objective realities, or otherwise sublimated into our daily existence. However, they are terms that are also general enough to be debatable in everything from philosophical discourse to political theory, literature, anthropology, history, arts and culture, cinema and television, and more. Conflicting notions of place and home can fuel international conflicts and war. The history of conceptions around nature and wilderness as well as the human impact on the natural world have changed our health and our environment. In the arts, one can witness a history of human thinking in changing depictions of nature, or consider the different approaches to space and place in sculpture and architecture.
Assigned readings/screenings draw upon philosophy and geography as well as cultural and visual theory and architectural history. Students will read about the creator of Central Park, Frederick Law Olmstead, but they will also learn from Las Vegas and consider the Center for Land Use Interpretation's (CLUI) digital archive. How have the concepts of "nature" and "wilderness" shifted over time? What are the key works of culture or philosophical developments pertaining to our changing spatial experience and understanding of the world? How have the internet, car culture, and global travel changed our experience of space? How are the ideologies of late capitalism communicated by the modern city?
Students will develop a focused topic and research question in relation to the course topic; identify a scholarly debate, or research conversation; propose a project that will participate in that conversation; engage with sources from the research process in the form of an annotated and evaluative bibliography, and construct an academic research-based argument.
SECTION ID |
SECTION |
DAY/TIME |
ROOM |
INSTRUCTOR |
309310 |
A00 |
MW 12:30-1:50 |
REMOTE |
Elizabeth Miller |
309336 |
B00 |
MW 2:00-3:20 |
REMOTE |
Elizabeth Miller |
309379 |
C00 |
MW 3:30-4:50 |
REMOTE |
Elizabeth Miller |
Every way you look at education in California, it is big: from a K-12 system that educates more than 6 million students a year to the 116 community colleges with more than 1.5 million students, from the California State University system, the largest public university system in the U.S., to the ten campuses of the University of California. Educating California is a huge project that has everything to do with equity, opportunity, diversity, community and innovation. Where is the state succeeding? Where is it falling short? How can a single state keep such a huge educational project moving forward? In this class, students will take some small part of this very large topic to research, ultimately proposing and writing their own argument-based research paper.
SECTION ID |
SECTION |
DAY |
TIME |
ROOM |
INSTRUCTOR |
233724 |
A00 |
TR |
11:00-12:20 |
HSS 2346A |
Marion Wilson |
Youth-led movements are driving forces in American history, social progress, and consumer culture. Yet, their crucial contributions are frequently dismissed in mainstream outlets as fleeting or uninformed and are too often reduced to arbitrary generational divides. From student activism in the Civil Rights era to figures such as Emma Gonzaléz, Malala Yousafzai, and Greta Thunberg; art movements; music genres like punk rock and hip hop; streetwear fashion; hacktivists and social media influencers – young people continue to shape society in diverse and meaningful ways.
This course will interrogate the many influences of youth movements and what happens when subversive groups with counter-cultural messages challenge or disrupt the status quo. We will discuss the history and impact of student activism in American universities and when radical actions go mainstream such as Earth Day. We will also explore sub- and counter-cultural groups including drag queens, K-pop fans, young chonga women, and more. Research projects will address how crucial and undervalued student organizing and/or youth culture are in today’s social, political, and economic landscape.
Assigned readings draw upon interdisciplinary fields in the humanities and social sciences including communication and media studies, art history, ethnic studies, cultural criticism, sociology, and gender studies. In this course, students will select a movement or countercultural group; develop a research question; identify a scholarly debate or research conversation; propose a research project that will participate in the identified conversation; research and analyze scholarly sources in the form of an annotated bibliography and construct an original academic research-based argument.
SECTION ID |
SECTION |
DAY/ |
TIME |
ROOM |
INSTRUCTOR |
233725 |
B00 |
TR |
8:00-9:20 |
MANDE B-146 |
Melinda Guillen |
233726 |
C00 |
TR |
9:30-10:50 |
MANDE B-146 |
Melinda Guillen |
233727 |
D00 |
TR |
11:00-12:20 |
MANDE B-146 |
Melinda Guillen |
Space and place, particularly in relation to third and fourth terms, nature and home, are frequently taken for granted, as objective realities, or otherwise sublimated into our daily existence. However, they are terms that are also general enough to be debatable in everything from philosophical discourse to political theory, literature, anthropology, history, arts and culture, cinema and television, and more. Conflicting notions of place and home can fuel international conflicts and war. The history of conceptions around nature and wilderness as well as the human impact on the natural world have changed our health and our environment. In the arts, one can witness a history of human thinking in changing depictions of nature, or consider the different approaches to space and place in sculpture and architecture.
Assigned readings/screenings draw upon philosophy and geography as well as cultural and visual theory and architectural history. Students will read about the creator of Central Park, Frederick Law Olmstead, but they will also learn from Las Vegas and consider the Center for Land Use Interpretation's (CLUI) digital archive. How have the concepts of "nature" and "wilderness" shifted over time? What are the key works of culture or philosophical developments pertaining to our changing spatial experience and understanding of the world? How have the internet, car culture, and global travel changed our experience of space? How are the ideologies of late capitalism communicated by the modern city?
Students will develop a focused topic and research question in relation to the course topic; identify a scholarly debate, or research conversation; propose a project that will participate in that conversation; engage with sources from the research process in the form of an annotated and evaluative bibliography, and construct an academic research-based argument.
SECTION ID |
SECTION |
DAY |
TIME |
ROOM |
INSTRUCTOR |
233728 |
A00 |
MW |
11:00-12:20 |
REMOTE |
Elizabeth Miller |
233729 |
B00 |
MW |
12:30-1:50 |
REMOTE |
Elizabeth Miller |
233730 |
C00 |
MW |
2:00-3:20 |
REMOTE |
Elizabeth Miller |
Every way you look at education in California, it is big: from a K-12 system that educates more than 6 million students a year to the 116 community colleges with more than 1.5 million students, from the California State University system, the largest public university system in the U.S., to the ten campuses of the University of California. Educating California is a huge project that has everything to do with equity, opportunity, diversity, community and innovation. Where is the state succeeding? Where is it falling short? How can a single state keep such a huge educational project moving forward? In this class, students will take some small part of this very large topic to research, ultimately proposing and writing their own argument-based research paper.
SECTION ID |
SECTION |
DAY/TIME |
ROOM |
INSTRUCTOR |
138880 |
A00 |
TTH 11:00-12:20 |
HSS 2346A |
Marion Wilson |
Youth-led movements are driving forces in American history, social progress, and consumer culture. Yet, their crucial contributions are frequently dismissed in mainstream outlets as fleeting or uninformed and are too often reduced to arbitrary generational divides. From student activism in the Civil Rights era to figures such as Emma Gonzaléz, Malala Yousafzai, and Greta Thunberg; art movements; music genres like punk rock and hip hop; streetwear fashion; hacktivists and social media influencers – young people continue to shape society in diverse and meaningful ways.
This course will interrogate the many influences of youth movements and what happens when subversive groups with counter-cultural messages challenge or disrupt the status quo. We will discuss the history and impact of student activism in American universities and when radical actions go mainstream such as Earth Day. We will also explore sub- and counter-cultural groups including drag queens, K-pop fans, young chonga women, and more. Research projects will address how crucial and undervalued student organizing and/or youth culture are in today’s social, political, and economic landscape.
Assigned readings draw upon interdisciplinary fields in the humanities and social sciences including communication and media studies, art history, ethnic studies, cultural criticism, sociology, and gender studies. In this course, students will select a movement or countercultural group; develop a research question; identify a scholarly debate or research conversation; propose a research project that will participate in the identified conversation; research and analyze scholarly sources in the form of an annotated bibliography and construct an original academic research-based argument.
SECTION ID |
SECTION |
DAY/TIME |
ROOM |
INSTRUCTOR |
138881 |
B00 |
TTh 12:30-1:50 |
MANDE B-146 |
Melinda Guillen |
138884 |
C00 |
TTh 2:00-3:20 |
MANDE B-146 |
Melinda Guillen |
138887 |
D00 |
TTh 3:30-4:50 |
MANDE B-146 |
Melinda Guillen |
The political sphere includes and regulates many things that have a direct effect on our livelihoods and communities: minimum wage, access to healthcare, immigration, infrastructure, the regulation of our bodies, whom we can marry, and so much more. Such issues have also come up in the arts, in everything from early 20th century mural painting to more recent examples like the art and iconography of Black Lives Matter and Pride as well as museum-focused protests like those that pressured tear gas manufacturer Warren Kanders to resign from his position at the Whitney Museum of American Art in 2019. This topic explores art in politics and politics in art, ranging from antiwar arts activism in the 1960s, the social politics of representing BIPOC histories and individuals, boycott and divestment, and various case studies of both artists and notorious controversies that highlight the tensions between artists/makers, artworks, audiences, local communities, as well as, of course, the museum as a mediating institution. Assigned readings draw on art history and museum studies, but the subject matter of the course will also touch on various social histories, critical race theory, and gender studies. How do the arts intersect with and/or represent political issues, movements, themes, and identities? What roles does politics play in the arts, and vice versa? Possible research topics include the connections between the arts and politics pertaining to social justice movements, activism, globalization, labor practices, protests, museums and more. Students will identify a scholarly debate, or research conversation, propose a project that will participate in that conversation, engage with and analyze sources from the research process in the form of an annotated bibliography, and construct an academic research argument.
SECTION ID |
SECTION |
DAY/TIME |
ROOM |
INSTRUCTOR |
|
A00 |
MW TBD |
REMOTE |
Elizabeth Miller |
|
B00 |
MW TBD |
REMOTE |
Elizabeth Miller |
Every way you look at education in California, it is big: from a K-12 system that educates more than 6 million students a year to the 116 community colleges with more than 1.5 million students, from the California State University system, the largest public university system in the U.S., to the ten campuses of the University of California. Educating California is a huge project that has everything to do with equity, opportunity, diversity, community and innovation. Where is the state succeeding? Where is it falling short? How can a single state keep such a huge educational project moving forward? In this class, students will take some small part of this very large topic to research, ultimately proposing and writing their own argument-based research paper.
SECTION ID |
SECTION |
DAY/TIME |
ROOM |
INSTRUCTOR |
104262 |
A00 |
TTH 11:00-12:20 |
HSS 2346A |
Marion Wilson |
Youth-led movements are driving forces in American history, social progress, and consumer culture. Yet, their crucial contributions are frequently dismissed in mainstream outlets as fleeting or uninformed and are too often reduced to arbitrary generational divides. From student activism in the Civil Rights era to figures such as Emma Gonzaléz, Malala Yousafzai, and Greta Thunberg; art movements; music genres like punk rock and hip hop; streetwear fashion; hacktivists and social media influencers – young people continue to shape society in diverse and meaningful ways.
This course will interrogate the many influences of youth movements and what happens when subversive groups with counter-cultural messages challenge or disrupt the status quo. We will discuss the history and impact of student activism in American universities and when radical actions go mainstream such as Earth Day. We will also explore sub- and counter-cultural groups including drag queens, K-pop fans, young chonga women, and more. Research projects will address how crucial and undervalued student organizing and/or youth culture are in today’s social, political, and economic landscape.
Assigned readings draw upon interdisciplinary fields in the humanities and social sciences including communication and media studies, art history, ethnic studies, cultural criticism, sociology, and gender studies. In this course, students will select a movement or countercultural group; develop a research question; identify a scholarly debate or research conversation; propose a research project that will participate in the identified conversation; research and analyze scholarly sources in the form of an annotated bibliography and construct an original academic research-based argument.
SECTION ID |
SECTION |
DAY/TIME |
ROOM |
INSTRUCTOR |
104263 |
B00 |
TTh 9:30-10:50 |
HSS 2305B |
Melinda Guillen |
104264 |
C00 |
TTh 11:00-12:20 |
HSS 1106B |
Melinda Guillen |
The political sphere includes and regulates many things that have a direct effect on our livelihoods and communities: minimum wage, access to healthcare, immigration, infrastructure, the regulation of our bodies, whom we can marry, and so much more. Such issues have also come up in the arts, in everything from early 20th century mural painting to more recent examples like the art and iconography of Black Lives Matter and Pride as well as museum-focused protests like those that pressured tear gas manufacturer Warren Kanders to resign from his position at the Whitney Museum of American Art in 2019. This topic explores art in politics and politics in art, ranging from antiwar arts activism in the 1960s, the social politics of representing BIPOC histories and individuals, boycott and divestment, and various case studies of both artists and notorious controversies that highlight the tensions between artists/makers, artworks, audiences, local communities, as well as, of course, the museum as a mediating institution. Assigned readings draw on art history and museum studies, but the subject matter of the course will also touch on various social histories, critical race theory, and gender studies. How do the arts intersect with and/or represent political issues, movements, themes, and identities? What roles does politics play in the arts, and vice versa? Possible research topics include the connections between the arts and politics pertaining to social justice movements, activism, globalization, labor practices, protests, museums and more. Students will identify a scholarly debate, or research conversation, propose a project that will participate in that conversation, engage with and analyze sources from the research process in the form of an annotated bibliography, and construct an academic research argument.
SECTION ID |
SECTION |
DAY/TIME |
ROOM |
INSTRUCTOR |
104265 |
D00 |
MW 2:00-3:20 |
Mandeville B-146 |
Elizabeth Miller |
104266 |
E00 |
MW 3:30-4:50 |
Mandeville B-146 |
Elizabeth Miller |
104267 |
F00 |
MW 5:00-6:20 |
Mandeville B-146 |
Elizabeth Miller |
Every way you look at education in California, it is big: from a K-12 system that educates more than 6 million students a year to the 116 community colleges with more than 1.5 million students, from the California State University system, the largest public university system in the U.S., to the ten campuses of the University of California. Educating California is a huge project that has everything to do with equity, opportunity, diversity, community and innovation. Where is the state succeeding? Where is it falling short? How can a single state keep such a huge educational project moving forward? In this class, students will take some small part of this very large topic to research, ultimately proposing and writing their own argument-based research paper.
SECTION ID |
SECTION |
DAY/TIME |
ROOM |
INSTRUCTOR |
093550 |
A00 |
TTh 11:00-12:20 |
YORK 3060 |
Marion Wilson |
Youth-led movements are driving forces in American history, social progress, and consumer culture. Yet, their crucial contributions are frequently dismissed in mainstream outlets as fleeting or uninformed and are too often reduced to arbitrary generational divides. From student activism in the Civil Rights era to figures such as Emma Gonzaléz, Malala Yousafzai, and Greta Thunberg; art movements; music genres like punk rock and hip hop; streetwear fashion; hacktivists and social media influencers – young people continue to shape society in diverse and meaningful ways.
This course will interrogate the many influences of youth movements and what happens when subversive groups with counter-cultural messages challenge or disrupt the status quo. We will discuss the history and impact of student activism in American universities and when radical actions go mainstream such as Earth Day. We will also explore sub- and counter-cultural groups including drag queens, K-pop fans, young chonga women, and more. Research projects will address how crucial and undervalued student organizing and/or youth culture are in today’s social, political, and economic landscape.
Assigned readings draw upon interdisciplinary fields in the humanities and social sciences including communication and media studies, art history, ethnic studies, cultural criticism, sociology, and gender studies. In this course, students will select a movement or countercultural group; develop a research question; identify a scholarly debate or research conversation; propose a research project that will participate in the identified conversation; research and analyze scholarly sources in the form of an annotated bibliography and construct an original academic research-based argument.
SECTION ID |
SECTION |
DAY/TIME |
ROOM |
INSTRUCTOR |
093551 |
B00 |
TTh 12:30-1:50 |
HSS 2305A |
Melinda Guillen |
093552 |
C00 |
TTh 3:30-4:50 |
HSS 1106A |
Melinda Guillen |
093553 |
D00 |
TTh 5:00-6:20 |
HSS 1106A |
Melinda Guillen |
The political sphere includes and regulates many things that have a direct effect on our livelihoods and communities: minimum wage, access to healthcare, immigration, infrastructure, the regulation of our bodies, whom we can marry, and so much more. Such issues have also come up in the arts, in everything from early 20th century mural painting to more recent examples like the art and iconography of Black Lives Matter and Pride as well as museum-focused protests like those that pressured tear gas manufacturer Warren Kanders to resign from his position at the Whitney Museum of American Art in 2019. This topic explores art in politics and politics in art, ranging from antiwar arts activism in the 1960s, the social politics of representing BIPOC histories and individuals, boycott and divestment, and various case studies of both artists and notorious controversies that highlight the tensions between artists/makers, artworks, audiences, local communities, as well as, of course, the museum as a mediating institution. Assigned readings draw on art history and museum studies, but the subject matter of the course will also touch on various social histories, critical race theory, and gender studies. How do the arts intersect with and/or represent political issues, movements, themes, and identities? What roles does politics play in the arts, and vice versa? Possible research topics include the connections between the arts and politics pertaining to social justice movements, activism, globalization, labor practices, protests, museums and more. Students will identify a scholarly debate, or research conversation, propose a project that will participate in that conversation, engage with and analyze sources from the research process in the form of an annotated bibliography, and construct an academic research argument.
SECTION ID |
SECTION |
DAY/TIME |
ROOM |
INSTRUCTOR |
093554 |
E00 |
MW 5:00-6:20 |
MANDE B-146 |
Elizabeth Miller |
093555 |
F00 |
MW 2:00-3:20 |
MANDE B-146 |
Elizabeth Miller |
093556 |
G00 |
MW 3:30-4:60 |
MANDE B-146 |
Elizabeth Miller |
Youth-led movements are driving forces in American history, social progress, and consumer culture. Yet, their crucial contributions are frequently dismissed in mainstream outlets as fleeting or uninformed and are too often reduced to arbitrary generational divides. From student activism in the Civil Rights era to figures such as Emma Gonzaléz, Malala Yousafzai, and Greta Thunberg; art movements; music genres like punk rock and hip hop; streetwear fashion; hacktivists and social media influencers – young people continue to shape society in diverse and meaningful ways.
This course will interrogate the many influences of youth movements and what happens when subversive groups with counter-cultural messages challenge or disrupt the status quo. We will discuss the history and impact of student activism in American universities and when radical actions go mainstream such as Earth Day. We will also explore sub- and counter-cultural groups including drag queens, K-pop fans, young chonga women, and more. Research projects will address how crucial and undervalued student organizing and/or youth culture are in today’s social, political, and economic landscape.
Assigned readings draw upon interdisciplinary fields in the humanities and social sciences including communication and media studies, art history, ethnic studies, cultural criticism, sociology, and gender studies. In this course, students will select a movement or countercultural group; develop a research question; identify a scholarly debate or research conversation; propose a research project that will participate in the identified conversation; research and analyze scholarly sources in the form of an annotated bibliography and construct an original academic research-based argument.
SECTION ID |
SECTION |
DAY/TIME |
ROOM |
INSTRUCTOR |
093169 |
A00 |
TTH 11:00-1:50 |
REMOTE |
Melinda Guillen |
The political sphere includes and regulates many things that have a direct effect on our livelihoods and communities: minimum wage, access to healthcare, immigration, infrastructure, the regulation of our bodies, whom we can marry, and so much more. Such issues have also come up in the arts, in everything from early 20th century murals to more recent examples as well as museum-focused protests like those that pressured tear gas manufacturer Warren Kanders to resign from his position at the Whitney Museum of American Art in 2019. This topic explores art in politics and politics in art, ranging from antiwar arts activism in the 1960s, the social politics of representing BIPOC histories and individuals, boycott and divestment, and various case studies of both artists and notorious controversies that highlight the tensions between artists/makers, artworks, audiences, local communities, and the museum as mediating institution. Assigned readings draw on art history and museum studies, but the subject matter of the course will also touch on various social histories. How do the arts intersect with and/or represent political issues, movements, themes, and identities? What roles does politics play in the arts, and vice versa? What are some of the past and recent controversies in the arts, and what kinds of art have been considered transgressive? Where and how do conversations about censorship and freedom of speech fit into the picture? Possible research topics include (but are not limited to) the connections between the arts and politics pertaining to social justice movements, activism, globalization, labor practices, funding structures, war, museums and/or stakeholders, and more.
SECTION ID |
SECTION |
DAY/TIME |
ROOM |
INSTRUCTOR |
074917 |
B00 |
TTH 12:30-1:50 |
HSS 2305A |
Elizabeth Miller |
074918 |
C00 |
TTH 2:00-3:20 |
HSS 2305A |
Elizabeth Miller |
Every way you look at education in California, it is big: from a K-12 system that educates more than 6 million students a year to the 116 community colleges with more than 1.5 million students, from the California State University system, the largest public university system in the U.S., to the ten campuses of the University of California. Educating California is a huge project that has everything to do with equity, opportunity, diversity, community and innovation. Where is the state succeeding? Where is it falling short? How can a single state keep such a huge educational project moving forward? In this class, students will take some small part of this very large topic to research, ultimately proposing and writing their own argument-based research paper.
SECTION ID |
SECTION |
DAY/TIME |
ROOM |
INSTRUCTOR |
074916 |
A00 |
TTH 11:00-12:20 |
HSS 2346A |
Marion Wilson |
Youth-led movements are driving forces in American history, social progress, and consumer culture. Yet, their crucial contributions are frequently dismissed in mainstream outlets as fleeting or uninformed and are too often reduced to arbitrary generational divides. From student activism in the Civil Rights era to figures such as Emma Gonzaléz, Malala Yousafzai, and Greta Thunberg; art movements; music genres like punk rock and hip hop; streetwear fashion; hacktivists and social media influencers – young people continue to shape society in diverse and meaningful ways.
This course will interrogate the many influences of youth movements and what happens when subversive groups with counter-cultural messages challenge or disrupt the status quo. We will discuss the history and impact of student activism in American universities and when radical actions go mainstream such as Earth Day. We will also explore sub- and counter-cultural groups including drag queens, K-pop fans, young chonga women, and more. Research projects will address how crucial and undervalued student organizing and/or youth culture are in today’s social, political, and economic landscape.
Assigned readings draw upon interdisciplinary fields in the humanities and social sciences including communication and media studies, art history, ethnic studies, cultural criticism, sociology, and gender studies. In this course, students will select a movement or countercultural group; develop a research question; identify a scholarly debate or research conversation; propose a research project that will participate in the identified conversation; research and analyze scholarly sources in the form of an annotated bibliography and construct an original academic research-based argument.
SECTION ID |
SECTION |
DAY/TIME |
ROOM |
INSTRUCTOR |
074919 |
D00 |
MW 9:30-10:50 |
HSS 2305A |
Melinda Guillen |
074920 |
E00 |
MW 11:00-12:20 |
HSS 2305A |
Melinda Guillen |
074921 |
F00 |
MW 12:30-1:50 |
HSS 2305A |
Melinda Guillen |
The political sphere includes and regulates many things that have a direct effect on our livelihoods and communities: minimum wage, access to healthcare, immigration, infrastructure, the regulation of our bodies, whom we can marry, and so much more. Such issues have also come up in the arts, in everything from early 20th century mural painting to more recent examples like the art and iconography of Black Lives Matter and Pride as well as museum-focused protests like those that pressured tear gas manufacturer Warren Kanders to resign from his position at the Whitney Museum of American Art in 2019. This topic explores art in politics and politics in art, ranging from antiwar arts activism in the 1960s, the social politics of representing BIPOC histories and individuals, boycott and divestment, and various case studies of both artists and notorious controversies that highlight the tensions between artists/makers, artworks, audiences, local communities, as well as, of course, the museum as a mediating institution. Assigned readings draw on art history and museum studies, but the subject matter of the course will also touch on various social histories, critical race theory, and gender studies. How do the arts intersect with and/or represent political issues, movements, themes, and identities? What roles does politics play in the arts, and vice versa? Possible research topics include the connections between the arts and politics pertaining to social justice movements, activism, globalization, labor practices, protests, museums and more. Students will identify a scholarly debate, or research conversation, propose a project that will participate in that conversation, engage with and analyze sources from the research process in the form of an annotated bibliography, and construct an academic research argument.
SECTION ID |
SECTION |
DAY/TIME |
ROOM |
INSTRUCTOR |
069247 |
B00 |
TTH 11:00-12:20 |
HSS 1106B |
Elizabeth Miller |
069248 |
C00 |
TTH 12:30-1:50 |
HSS 1106B |
Elizabeth Miller |
069249 |
D00 |
TTH 2:00-3:20 |
HSS 1106B |
Elizabeth Miller |
Nearly one-fourth of the homeless people in the United States are in California, which—not surprisingly—has some of the most expensive housing in the country. Indeed, rent for even small apartments in Los Angeles costs approximately twice the national average. Meanwhile in San Diego what was considered modest tract housing in the middle of the 20th Century now goes for much more than a middle class family can afford. And, ironically, the financial success of Silicon Valley has made San Francisco and Oakland have all but uninhabitable for anyone but the very wealthy. The impacts of this housing crisis are far reaching: long commutes to work (with ensuing air pollution issues); fights over vacation rentals like Airbnb; and tens of thousands of Californians living unsheltered each night. In this course we will read, analyze, research, and write about these and other issues that make housing so complicated in California. You will familiarize yourself with a scholarly debate about some aspect of the California housing crisis, write a research proposal and an annotated bibliography on that debated issue, and finish the quarter with a research-based argument that is your contribution to that debate.
SECTION ID |
SECTION |
DAY/TIME |
ROOM |
INSTRUCTOR |
069246 |
A00 |
TTH 11:00-12:20 |
HSS 2346A |
Marion Wilson |
Youth-led movements are driving forces in American history, social progress, and consumer culture. Yet, their crucial contributions are frequently dismissed in mainstream outlets as fleeting or uninformed and are too often reduced to arbitrary generational divides. From student activism in the Civil Rights era to figures such as Emma Gonzaléz, Malala Yousafzai, and Greta Thunberg; art movements; music genres like punk rock and hip hop; streetwear fashion; hacktivists and social media influencers – young people continue to shape society in diverse and meaningful ways.
This course will interrogate the many influences of youth movements and what happens when subversive groups with counter-cultural messages challenge or disrupt the status quo. We will discuss the history and impact of student activism in American universities and when radical actions go mainstream such as Earth Day. We will also explore sub- and counter-cultural groups including drag queens, K-pop fans, young chonga women, and more. Research projects will address how crucial and undervalued student organizing and/or youth culture are in today’s social, political, and economic landscape.
Assigned readings draw upon interdisciplinary fields in the humanities and social sciences including communication and media studies, art history, ethnic studies, cultural criticism, sociology, and gender studies. In this course, students will select a movement or countercultural group; develop a research question; identify a scholarly debate or research conversation; propose a research project that will participate in the identified conversation; research and analyze scholarly sources in the form of an annotated bibliography and construct an original academic research-based argument.
SECTION ID |
SECTION |
DAY/TIME |
ROOM |
INSTRUCTOR |
069250 |
E00 |
MW 9:30-10:50 |
HSS 2305A |
Melinda Guillen |
069251 |
F00 |
MW 11:00-12:20 |
HSS 2305A |
Melinda Guillen |
The political sphere includes and regulates many things that have a direct effect on our livelihoods and communities: minimum wage, access to healthcare, immigration, infrastructure, the regulation of our bodies, whom we can marry, and so much more. Such issues have also come up in the arts, in everything from early 20th century mural painting to more recent examples like the art and iconography of Black Lives Matter and Pride as well as museum-focused protests like those that pressured tear gas manufacturer Warren Kanders to resign from his position at the Whitney Museum of American Art in 2019. This topic explores art in politics and politics in art, ranging from antiwar arts activism in the 1960s, the social politics of representing BIPOC histories and individuals, boycott and divestment, and various case studies of both artists and notorious controversies that highlight the tensions between artists/makers, artworks, audiences, local communities, as well as, of course, the museum as a mediating institution. Assigned readings draw on art history and museum studies, but the subject matter of the course will also touch on various social histories, critical race theory, and gender studies. How do the arts intersect with and/or represent political issues, movements, themes, and identities? What roles does politics play in the arts, and vice versa? Possible research topics include the connections between the arts and politics pertaining to social justice movements, activism, globalization, labor practices, protests, museums and more. Students will identify a scholarly debate, or research conversation, propose a project that will participate in that conversation, engage with and analyze sources from the research process in the form of an annotated bibliography, and construct an academic research argument.
SECTION ID |
SECTION |
DAY/TIME |
ROOM |
INSTRUCTOR |
051221 |
B00 |
TTH 9:30-10:50 |
HSS 2305A |
Elizabeth Miller |
051222 |
C00 |
TTH 11:00-12:20 |
HSS 2305A |
Elizabeth Miller |
051223 |
D00 |
TTH 12:30-1:50 |
HSS 2305A |
Elizabeth Miller |
Nearly one-fourth of the homeless people in the United States are in California, which—not surprisingly—has some of the most expensive housing in the country. Indeed, rent for even small apartments in Los Angeles costs approximately twice the national average. Meanwhile in San Diego what was considered modest tract housing in the middle of the 20th Century now goes for much more than a middle class family can afford. And, ironically, the financial success of Silicon Valley has made San Francisco and Oakland have all but uninhabitable for anyone but the very wealthy. The impacts of this housing crisis are far reaching: long commutes to work (with ensuing air pollution issues); fights over vacation rentals like Airbnb; and tens of thousands of Californians living unsheltered each night. In this course we will read, analyze, research, and write about these and other issues that make housing so complicated in California. You will familiarize yourself with a scholarly debate about some aspect of the California housing crisis, write a research proposal and an annotated bibliography on that debated issue, and finish the quarter with a research-based argument that is your contribution to that debate.
SECTION ID |
SECTION |
DAY/TIME |
ROOM |
INSTRUCTOR |
051220 |
A00 |
TTH 11:00-12:20 |
HSS 2346A |
Marion Wilson |
Youth-led movements are driving forces in American history, social progress, and consumer culture. Yet, their crucial contributions are frequently dismissed in mainstream outlets as fleeting or uninformed and are too often reduced to arbitrary generational divides. From student activism in the Civil Rights era to figures such as Emma Gonzaléz, Malala Yousafzai, and Greta Thunberg; art movements; music genres like punk rock and hip hop; streetwear fashion; hacktivists and social media influencers – young people continue to shape society in diverse and meaningful ways.
This course will interrogate the many influences of youth movements and what happens when subversive groups with counter-cultural messages challenge or disrupt the status quo. We will discuss the history and impact of student activism in American universities and when radical actions go mainstream such as Earth Day. We will also explore sub- and counter-cultural groups including drag queens, K-pop fans, young chonga women, and more. Research projects will address how crucial and undervalued student organizing and/or youth culture are in today’s social, political, and economic landscape.
Assigned readings draw upon interdisciplinary fields in the humanities and social sciences including communication and media studies, art history, ethnic studies, cultural criticism, sociology, and gender studies. In this course, students will select a movement or countercultural group; develop a research question; identify a scholarly debate or research conversation; propose a research project that will participate in the identified conversation; research and analyze scholarly sources in the form of an annotated bibliography and construct an original academic research-based argument.
SECTION ID |
SECTION |
DAY/TIME |
ROOM |
INSTRUCTOR |
051224 |
E00 |
MW 9:30-10:50 |
HSS 2305B |
Melinda Guillen |
051225 |
F00 |
MW 11:00-12:20 |
HSS 2305A |
Melinda Guillen |
051226 |
G00 |
MW 12:30-1:50 |
HSS 2305A |
Melinda Guillen |
Nearly one-fourth of the homeless people in the United States are in California, which—not surprisingly—has some of the most expensive housing in the country. Indeed, rent for even small apartments in Los Angeles costs approximately twice the national average. Meanwhile in San Diego what was considered modest tract housing in the middle of the 20th Century now goes for much more than a middle class family can afford. And, ironically, the financial success of Silicon Valley has made San Francisco and Oakland have all but uninhabitable for anyone but the very wealthy. The impacts of this housing crisis are far reaching: long commutes to work (with ensuing air pollution issues); fights over vacation rentals like Airbnb; and tens of thousands of Californians living unsheltered each night. In this course we will read, analyze, research, and write about these and other issues that make housing so complicated in California. You will familiarize yourself with a scholarly debate about some aspect of the California housing crisis, write a research proposal and an annotated bibliography on that debated issue, and finish the quarter with a research-based argument that is your contribution to that debate.
SECTION ID |
SECTION |
DAY/TIME |
ROOM |
INSTRUCTOR |
034601 |
A00 |
TTH 9:00-10:50 |
CSB 1 |
Marion Wilson |
034602 |
B00 |
TTH 11:00-12:20 |
CSB 1 |
Marion Wilson |
For this topic, we consider the role of exhibitions as they relate to cultural production. The modern “exhibition” as such historically emerged from private collection displays called wunderkammern, or cabinets of curiosity. Museum exhibitions in particular have played a particularly significant role in how we perceive works of culture, people, and places. More recently, efforts have been made to address accessibility issues, integrate decolonizing initiatives, and provide greater visibility to historically disenfranchised groups. Art exhibitions can take a variety of formats depending on what types of objects and information are on display as well as the cultural backgrounds, perspectives, and intentions of the artists, curators, organizers, hosting institutions, and/or audiences. What are the social and political forces behind exhibitions and what kinds of messages do they convey? To whom are these messages communicated? How do exhibitions express power relations and represent different interests? Assigned readings will draw on museum studies, art history, and cultural anthropology from the past 50 years. Possible research topics can range from unconventional and historical formats like 19th century exhibits/displays, fairs, or expositions to international art biennials, museum and gallery exhibitions. Any type of artistic or creative medium and any period in history are appropriate for investigation in your research projects.
SECTION ID |
SECTION |
DAY/TIME |
ROOM |
INSTRUCTOR |
034552 |
E00 |
MW 12:30-1:50 |
RCLAS R176 |
Elizabeth Miller |
034553 |
F00 |
MW 2:00-3:20 |
RCLAS R204 |
Elizabeth Miller |
034554 |
G00 |
MW 3:30-4:50 |
RCLAS R188 |
Elizabeth Miller |
Since 1776, when our forefathers codified equality as a “self-evident” truth in the Declaration of Independence, we have had to confront the enslavement, marginalization, violence, disenfranchisement, and exclusion that reveal equality to be an American myth. The written word has the power to codify myth as reality, but it also has the power to reveal truth, to mobilize action, and to correct inequality. Supreme Court decisions, government legislation, and policy are obvious written actions that revise the way that we think about equality in America, but countless other written documents demand social, cultural, political, and environmental shifts in power: “Letter from a Birmingham Jail” by Dr. Martin Luther King Jr., the letters and diaries of Japanese American citizens interned during World War II, Yessenia Funes’s intersectional writings on the climate crisis, Chrissy Teigen’s twitter account, and so much more. In this course, you will select a written text that “(re)writes equality”. You will research scholarly debates that will allow you to situate this text within a social justice movement, propose a research project that will participate in that debate, engage with sources that you find in your research in the form of an annotated bibliography, and construct your own academic research-based argument that makes an original claim about the complex and contested ideal of American equality.
SECTION ID |
SECTION |
DAY/TIME |
ROOM |
INSTRUCTOR |
034550 |
C00 |
TTH 12:30-1:50 |
RCLAS R208 |
Amy Forrest |
034551 |
D00 |
TTH 11:00-12:20 |
RCLAS R224 |
Amy Forrest |